Manufacturers of equipment designed to handle bulk materials, such as bucket loaders, transfer chutes and truck bodies must take into consideration the behaviour of materials such as coal, ores or soil. The major benefit of the new capability is that it removes any guesswork by giving design engineers the data on the pressures and forces caused by the bulk materials acting on the equipment – this insight has previously not been available. The new ‘EDEM Add-In for ANSYS Workbench’ introduces a streamlined process to transfer material load data and will give equipment designers and manufacturers access to EDEM data in the familiar Workbench environment.
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“And you’ve got to search for that.Innovative Engineering Software Delivers Missing Link in Equipment Design “There’s postcard London and then there’s romance in London,” he says. Kelman intends to keep showing unexpected sides of the capital. Film4 is backing Duke, which he hopes to shoot in 2023, and as a warm-up is also funding his next short, Untitled Coach Story - three interlinked stories showing London “as a city of dreamers”. “It’s inspired by my father as this enigmatic figure and the community that forms around him,” says Kelman. He is now writing his debut feature Duke, inspired by his parents’ experiences in the West African diaspora in London in the early 2000s.
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Kelman did not attend film school, instead studying philosophy at University College London and spending all his free time at the cinema. This hardcore cinephile - whose inspirations range from Claire Denis to William Wyler - was not afraid to learn from the episodic world, saying, “ soaps like Hollyoaks are in our DNA, and this melodrama isn’t that far from Douglas Sirk.” Click here for the complete list of 2021 Screen Stars of Tomorrow That led to directing five episodes of Hollyoaks, with a powerful storyline relating to unconscious bias and racism in modern Britain.
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Thanks to a chance encounter on the street outside the Barbican Cinema, Kelman met TV director Craig Viveiros, who later hired him to direct second unit on ITV Studios series Angela Black. “Transport For London is the best casting agency,” he says of finding non-professionals on buses and tube trains.
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He set his self-funded, low-budget short Princess in Dalston, east London, mixing professional and non-actors in the story of a troubled mother who wants to give her daughter a brilliant day out. “I can’t even write when I’m not in London,” says the 24-year-old. Edem Kelman was born in Paris, to parents originally from Togo, but he moved to the UK as a toddler and is obsessed with capturing the energy of London on screen.
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